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The novel as a whole is an utterance justĪs rejoinders in everyday dialogue or private letters are (they do have a common They enter into actual reality only via the novel as a whole, that is, as a literary artisticĮvent and not as everyday life. ForĮxample, rejoinders of everyday dialogue or letters found in a novel retain theirįorm and their everyday significance only on the plane of the novel's content. Immediate relation to actual reality and to the real utterances of others. These primary genres are altered andĪssume a special character when they enter into complex ones. They absorb and digest various primary (simple) genres that have takenįorm in unmediated speech communion. Geneva, 1-5 September, 2004.The extreme heterogeneity of speech genres and the attendant difficulty ofĭetermining the general nature of the utterance should in no way be underestimated. Islam and the Russian Orthodox Ideal // Notes from the “House of the Dead”, XII Symposium of the International Dostoevsky Society. Moscow-Leningrad: Khudozhestvennaia literatura. Evanston: Northwestern University Press, 1981. The Boundaries of Genre: Dostoevsky’s Diary of a Writer and the Traditions of Literary Utopia. Dostoevskij (Contribution a une Linguistique du Texte litteraire) // Russian Literature. De la Tautologie: Reflexions sur les Notes d’un Souterrain de F. Cambridge, MA: Harvard University Press, 1979. The Genesis of Secrecy: On the Interpretation of Narrative. Princeton: Princeton University Press, 1981. The Art of Dostoevsky: Deliriums and Nocturnes. Dostoevsky: The Years of Ordeal 1850-1859. Fear of Faith: The Hidden Religious Message of Notes from Underground // Slavic and East European Journal.
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The Hero’s Descent to the Underworld in Chekhov // Russian Review. Emerson Caryl and Gary Saul Morson: Mikhail Bakhtin.Minneapolis: University of Minnesota Press, 1984. Problems of Dostoevsky’s Poetics, edited and translated by Caryl Emerson. Austin: The University of Texas Press, 1981. Forms of Time and of the Chronotope in the Novel: Notes Toward a Historical Poetics.